![]() Magritte included a likeness of Scutenaire in the painting – his face is used for the large man by the chimney of the house on the right of the picture. Golconda is a ruined city in the state of Telangana, India, near Hyderabad, which from the mid-14th century until the end of the 17th was the capital of two successive kingdoms the fame it acquired through being the center of the region's legendary diamond industry was such that its name remains, according to the Oxford English Dictionary, "a synonym for 'mine of wealth'." Whereas if one looks at each person, one can predict that they may be completely different from another figure.Īs was often the case with Magritte's works, the title Golconda was found by his poet friend Louis Scutenaire. This leaves one to look at the men as a group. All of these men are dressed the same, have the same bodily features and are all floating/falling. One interpretation is that Magritte is demonstrating the line between individuality and group association, and how it is blurred. This painting is fun, but it also makes us aware of the falsity of representation. These images of men aren't men, just pictures of them, so they don't have to follow any rules. But Magritte knew that representations of things can lie. Ordinarily, you see a picture of something and you believe in it, you are seduced by it you take its honesty for granted. Magritte was fascinated by the seductiveness of images. Zillmer cites Charlie Chaplin as an influence, and indeed many of his photos are animated by a Chaplinesque. The bowler hat was a common feature of much of his work, and appears in paintings such as The Son of Man.Ĭharly Herscovici, who was bequeathed copyright on the artist's works, commented on Golconda: The familiar tropes are therefaceless men in business suits, clouds in bright-blue skies, paintings within paintingsbut mostly more fun and less gloomy than we see in Magritte’s works (the above examples being notable exceptions). Magritte lived in a similar suburban environment, and dressed in a similar fashion. The men are equally spaced in a lattice, facing the viewpoint and receding back in rhombic grid layers. The backdrop features red-roofed buildings and a mostly blue partly cloudy sky, lending credence to the theory that the men are not raining. The piece depicts a scene of "raining men", nearly identical to each other dressed in dark overcoats and bowler hats, who seem to be either falling down like rain drops, floating up like helium balloons, or just stationed in mid-air as no movement or motion is implied. It is usually housed at the Menil Collection in Houston, Texas. Golconda ( French: Golconde) is an oil painting on canvas by Belgian surrealist René Magritte, painted in 1953.
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